Roppongi, Tokyo, on New Year's Eve

Roppongi, Tokyo, on New Year's Eve
Among other things, I am writing a detective series that takes place in Tokyo. The first novel, "Be Careful What You Ask For," centers on a much-admired Tokyo police inspector being forced to confront his ties to a crime family while investigating a murder in Roppongi.
Showing posts with label editing. Show all posts
Showing posts with label editing. Show all posts

Sunday, August 5, 2012

Quick Hits No. 6

In my posts about writing, I have been focusing on getting started: think about it and get it on paper. Ask yourself some questions, answer them in your head, then get the words on paper. Today I'd like to share this with you:


“When you write a story, you're telling yourself the story. When you rewrite, your main job is taking out all the things that are not the story.” ― Stephen King, On Writing



At my first writer's conference, I heard "writing is rewriting." It has stayed with me to this day. Trained as a journalist, I am used to the notion of get it out, get it right, but get it out. Writers without daily deadlines, once they get whatever it is they want on paper, treat those words as if they belong in a museum. That's a good way to never get anything done. The next step is just what King says: "(take) out all the things that are not the story."

Every word you write won't be a part of the final product. That's OK. It's not the words you start with, but the words you end with that count.

See you next week.


Sunday, July 22, 2012

Quick Hits No. 4

In his tribute to Nora Ephron in The New Yorker, Nathan Englander shares some observations on the art and craft of writing I'd like to share with you.


He wrote: "It’s that the goal of the true craftsperson is simply to put story out into the universe—to find the tales that really count and to tell them in the form they demand."

Isn't that really what a writer tries to do? Send a story "out into the universe." I know I'm guilty of of keeping my stories hidden from the universe for any number of reasons, most often because I am not satisfied with them. But what writer is?


I have just finished editing a story that began life 20 years ago. The original idea has morphed into something that can only be appreciated if one applies the six degrees of separation rule. The story is now ready to be launched into the universe, but 20 years?


That's ridiculous. But what's worse is I have a story that's been written in some form for 30 years that has yet to see the light of day. 


So you can see, I've been on this journey through the writing life for some time. And I admit it has existed in my head, for the most part. But now I'm ready to go "out into the universe."


This is why I think his conclusion seems to timely for me right now:


"You set out to do something, and to do it right. And if it doesn’t come out exactly as planned—you don’t just live with it, you find a way to make it even better than it would have been before." 

Check out the article here:


http://tinyurl.com/7fsj4g8


See you next week!

Sunday, July 8, 2012

Quick Hits No. 2


A continuation of last week’s post:

Another topic in the conversations I had focusing on writing centered on how the essence of stories are lost in the verbiage the writer wants to use when stringing sentences together.  In other words, the writer knows what he or she wants to write, and the sentences come out beautifully, but the story is hard to find among the finely turned phrases. I think what happens is the writer knows what he or she wants to say but gets caught up "in the moment" of writing and the words get in the way.

 For example, find any recent college or high school graduation story, print or viral, and see if the story includes basic information: name and location of school,  the guest speaker, valedictorian, salutatorian, what was said, how many students graduated -- you name it. Is it a speech story? Depending on the guest speaker, maybe it is. But far too much time was spent trying to come up with different adjectives and adverbs to describe a run-of-the-mill graduation story without getting in the facts, takes far too much time to write, and for the editor, takes far too much to edit.

How does this apply to writing fiction? Ideas tend to grow from the inside out, like dropping a pebble in a pond, and watching the ripples grow larger and larger. But writing is rewriting. It’s like that unruly shrub that needs to be trimmed back. So get some sharp clippers and have it.

Writers love to stand in shade and drop pebbles into ponds. Who doesn’t? But the work of the writer is standing in the sun, hot and thirsty, clipping back the shrubs to make them look like something. It isn’t easy. In fact, a lot of times it just plain sucks. But in the end it’s worth it.

See you next week!